After Midnight: A Meta-Proof & Open Reflective Practice Report
in the King’s English (in the Spirit of Good Cricket)



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After Midnight:
A Meta-Proof & Open Reflective Practice Report
in the King’s English
(in the Spirit of Good Cricket)
Précis
We present a unified framework in which mathematics, language, and narrative operate as a single system of ordered meaning. The work and the corpus it describes demonstrate that rigorous formal reasoning can be expressed entirely in natural language and that literary construction may perform genuine mathematical proof (in the sense and spirit of Pāṇini). The Epiphanies Trilogy therefore functions both as creative art and as scientific exposition: a lived demonstration that the King’s English itself can sustain theorem, corollary, and Q.E.D. without symbolic dependency.
Abstract
We advance the claim that poetry, mathematics, science, and language are not separate pursuits but equivalent expressions of a single ordering enterprise. The mathematics employed here are not metaphorical illustrations but the operative machinery by which coherence, transformation, and meaning are examined. We model the progression from static work, through reader functor-oracle, to projection to codomain—from fixed artifact, through evaluative engagement, to realized local understanding—and treat this composition as a functorial mapping preserving structure across domains. Semantic coherence appears as a sheaf-like gluing condition that allows local interpretations to form a cohesive global order, while aesthetic selection functions as the constraint, in the sense of Morse, that chooses one pattern of beauty from an infinity of admissible designs.
All proofs, theorems, and constructions in this work are expressed in the King’s English—formally precise natural language rather than symbolic shorthand. This choice is deliberate. It asserts that the expressive resources of English are sufficient to state and verify the logic of the argument without recourse to algebraic notation, thereby treating disciplined prose itself as a rigorous mathematical medium.
The extended version formalizes these relationships and situates them within lived research practice, demonstrating how the structure of order evolves into ethical action. This continuum is demonstrated in “One Good Turn,” where formal coherence becomes social praxis through sustained support to the Greater Vancouver Food Bank by the Knight Terra Press’s pledge of all trilogy proceeds going to that organization.
Keywords by Discipline
Mathematical Concepts:
mathematical epistemological praxis, functorial mapping, category theory, sheaf theory, morphisms, adjunctions, projection operators, topological manifolds, local–global correspondence, structural homomorphism, semantic gluing conditions, algebraic topology, adaptive grammars, formal language theory, predicate logic, recursion and self-reference, fixed-point theorems, transformation invariance, complex analysis, Euler identity, hyperbolic geometry, polar coordinates, differential topology, graph theory, lattice structures, formal systems, mathematical aesthetics, symbolic equivalence, natural language as formal proof, Sinnzusammenhang, Aufhebung, Eigenwert, Funktionsraum, Abbildung, Homomorphismus
Literary Criticism and Theory:
poststructuralism, deconstruction, reader-response theory, hermeneutics, structuralism, semiotics, intertextuality, narratology, phenomenology of reading, metafiction, meta-autobiography, dialogic theory, différance, intentional fallacy, aesthetic formalism, cognitive poetics, symbolic recursion, author–reader co-construction, linguistic determinism, text as oracle, inclusive textual design, language as mathematical system, Bildungsroman, Entwicklungsroman, Künstlerroman, Erziehungsroman, Sprachspiel, Verstehen, Weltanschauung, Formgebung, Gestaltung
Social and Critical Frameworks:
critical pedagogy, dialogic praxis, liberation ethics, participatory epistemology, praxis-based learning, cultural semiotics, discourse analysis, intersectional humanism, phenomenology of social systems, structural inequality, voice misappropriation, patriarchy, hegemony, international relations, global ethics, civic reciprocity, social contract theory, epistemic justice, decolonial methodology, ethics of representation, narrative sovereignty, food security, humanitarian engagement, art as social praxis, literature as sustenance, self-authorship, reflective practice, neurodiversity inclusion, Bildung, Erkenntnistheorie, Dasein, Mitsein, Selbstbestimmung, Mitgefühl, Gemeinschaft, Gesellschaft, Weltverantwortung, Grenzerfahrung
Born and raised in Western Canada, Jackson grew up as a child in logging camps, where radio plays and reading were his only forms of entertainment. Upon his return to the city, he felt the call to write fiction, and approached art with a passion and fury. Rather than jump directly into authorhood, he first edited, and then promoted others’ writing as a literary agent. Eventually, he moved forward into his own art, and his first three novels were published in the United Kingdom between 2000 and 2002.
He was elected a Fellow of the Royal Society of Arts in 2006. He is a member of the Writers’ Union of Canada.
Jackson lives in Western Canada, where he continues to write fiction and work in scientific research.




