ChatGPT review of
Touched by Fortune’s Shadow: a triptych
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Knight Terra Press
littera manet sed lector oraculum
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est. 1995
Introduction (Methodology)
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In creating this review, the front and back matter of each of the novels of the Epiphanies Trilogy was input into OpenAI’s ChatGPT 4o algorithm. Next, the body of the novel Touched by Fortune’s Shadow was supplied, with a prompt directing the AI to provide a modern book review that took the front and back matter into account. Finally, the other two novels of the trilogy were included for contextual completeness, and a final draft of the review was produced.
All literary opinions expressed are those of the ChatGPT 4o AI, as no prompt was given as pertains to the quality of the novel or the trilogy.
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Publisher’s Summary of the Novel
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Vancouver, 1998. From his mountain-view Coal Harbor penthouse, Brett Lloyd-Ronan leads a quiet, highly ordered life as co-founder and chief analyst of a thriving quantitative analysis firm. Born into a blue-collar world where opportunity rarely came knocking, he has made patterns and predictability his twin anchors while using his distinctive intellect and skills to navigate the chaotic seas of trading, portfolio hedging, and market modeling.
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But when the woman he has loved from afar over many years reappears and sails into his sheltered cove, Brett finds that his days will never again begin the same way twice. And the patterns become even more elaborately unpredictable as a retired concert pianist challenges Brett to make abstractions real, and to speak and act when silence and caution may feel safer.
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Touched by Fortune’s Shadow: a triptych is a work of tranquil turmoil. While Brett has found sanctuary and wealth in the fiscal world of risk and margin, at life’s heart remain human relationships in which interests and emotions sometimes align, sometimes collide, and never conform to logic. Will Brett, like the Huma bird of legend, remain perpetually in auspicious flight? Or is there a place of truth where he can land and be his fully authentic self?
The Review
Quinn Tyler Jackson’s Touched by Fortune’s Shadow is a masterful conclusion to the Epiphanies Trilogy, a series steeped in philosophical inquiry, postmodern storytelling, and emotionally resonant character explorations. In this third novel, Jackson synthesizes themes of loyalty, authenticity, and redemption, while seamlessly interweaving its narrative with the broader fictional multiverse established in Midnight at the Arcanum and The Ancestral Sea.
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The Narrative Landscape
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Set primarily in Vancouver during the late 1990s, the novel centers on Brett Lloyd-Ronan, a blue-collar man with a brilliant mind who rises above his origins yet remains intrinsically tethered to the humanistic, often unpolished qualities of his past. Jackson’s refusal to medicalize Brett’s autism resonates profoundly; the author instead presents Brett as an authentic figure navigating his world without labels imposed by a flawed diagnostic system. This approach both challenges and transcends traditional representations of neurodivergent characters in literature, echoing Jackson’s own reflections as an autistic individual.
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Themes Across the Trilogy
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The Epiphanies Trilogy as a whole explores interpersonal fidelity, identity, and self-acceptance. In Midnight at the Arcanum, we meet Conrad Kirk, a protagonist entangled in his desires and existential discontent. Through his passionate yet ill-fated pursuit of Anne-Jolie, Jackson probes the destructive allure of infidelity and societal constructs of authenticity. Similarly, The Ancestral Sea delves deeper into themes of guilt and redemption, as Cyrus Drake struggles to reconcile his role in familial trauma while navigating the fallout of betrayal by his lover and friend.
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In Touched by Fortune’s Shadow, Jackson shifts the focus toward community and collective resilience. The ethical unity of Brett’s circle—free from betrayal—offers a refreshing contrast to the previous novels’ tempestuous relationships. Yet, the trilogy’s overarching commitment to rejecting binary notions of morality remains intact. These works eschew the reductive hero/villain dichotomy, opting instead for characters whose flaws and virtues intertwine in a richly textured moral ambiguity.
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A Postmodern Meta-Autobiography
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Jackson’s novels are not merely stories but intertextual tapestries that engage with their readers as co-creators of meaning. The trilogy’s metafictional elements—characters referencing fictional works by other characters within the narrative, thematic echoes across novels, and autobiographical elements infused into the text—create a deeply layered reading experience. For example, Brett’s admiration of a painting by Cyrus Drake directly ties Touched by Fortune’s Shadow to the events of The Ancestral Sea, bridging the two narratives in a seamless, lived-in fictional universe.
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The Final Capstone
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As noted in Dania Sheldon’s foreword, Touched by Fortune’s Shadow invites readers to slip into the narrative gently, much like one would into embroidered slippers. It is a novel that unfolds with quiet yet undeniable power, offering profound insights into the human condition without resorting to melodrama or spectacle. Its thematic underpinnings—acceptance of past blunders, authenticity, and gender equity—are particularly relevant in an age where societal expectations and personal fulfillment often clash.
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Conclusion
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Quinn Tyler Jackson’s Epiphanies Trilogy stands as a monumental literary achievement, with Touched by Fortune’s Shadow serving as its crowning piece. The trilogy’s exploration of fidelity, identity, and resilience resonates across decades and geographies, offering readers a nuanced meditation on the complexities of the human experience. For those who relish postmodern literature rich in philosophical depth and emotional honesty, this trilogy—and its brilliant conclusion—is an essential read.
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“The sheer brilliance and sprezzatura of Jackson’s ideas, and his ability to articulate these in fluid, gorgeous, and startlingly original prose and poetry, will capture and hold your attention.”
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—Dania Sheldon, trilogy editor
Born and raised in Western Canada, Jackson grew up as a child in logging camps, where radio plays and reading were his only forms of entertainment. Upon his return to the city, he felt the call to write fiction, and approached art with a passion and fury. Rather than jump directly into authorhood, he first edited, and then promoted others’ writing as a literary agent. Eventually, he moved forward into his own art, and his first three novels were published in the United Kingdom between 2000 and 2002.
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He was elected a Fellow of the Royal Society of Arts in 2006. He is a member of the Writers’ Union of Canada.
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Jackson lives in Western Canada, where he continues to write fiction and work in scientific research.